The Strokes consisted

In 1997, The Strokes consisted of singer Julian Casablancas, guitarist Nick Valensi, bassist Nikolai Fraiture, and drummer Fabrizio Moretti. Casablancas's stepfather and Moretti's and Fraiture's older brothers introduced the quartet to the music of reggae artist Bob Marley, protopunk group The Velvet Underground, and alternative rock band Jane's Addiction. Discussing the formative stages of the group, Moretti noted, "Our music was, like, [The Doors'], but trying to be classical. We all took music classes and tried writing songs, and when we put them together they were this crazy amalgam of insane ideas that we thought was really cool." In 1998, Albert Hammond, Jr., who Casablancas knew from his time at a Swiss boarding school, moved to New York City to attend film school and joined The Strokes as a second guitarist.[1] His arrival provided the catalyst for the band's musical and emotional evolution.[2]


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After the deal with RCA, The Strokes started working with Gil Norton, who had produced recordings for alternative rock group Pixies. Although a rapport developed between the two parties, the band remained unhappy at the results of preliminary sessions which sounded "too clean" and "too pretentious"; the three songs recorded with Norton were scrapped.[4] Like The Modern Age, Is This It was eventually recorded with Gordon Raphael at Transporterraum in Manhattan's East Village in New York City.[5] The studio is located in a basement with poor lighting, but despite its poor infrastructure, it includes modern Pro Tools Digital Audio Workstation hardware. The Strokes liked Raphael's lack of ego and formed a good collaborative relationship with the producer.[6]





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